Prof. Tran Van Khe’s activities
after his return to France on Jan. 29th 2003
Prof. Tran Van Khe:

Feb. 7th
2003 15:00 (the local time)
At
Khuong Viet Pagoda, (Orsay), in the Southern suburbs of Paris, talked
to the world’s concerned buddists on the internet about “Some
characteristics of Vietnamese traditional music”.
Feb. 8th
2003 from 15:00 to 17:00 (the local time)
At Room
1, Unesco, watched the Cai luong program “Tay Thi Gai Nuoc Viet” ( Tay
Thi a girl from Viet country)
Feb. 9th
2003
At Tich
Ky-Ngan Ha’s residence, joined the warm meeting with Vietnam’s
modernized theatre artists that came to France for their “ Tet
Celebration” performance.
Feb. 16th 2003
from 15:00 to 17:30 (the local time)
At
Abbaye-aux-Bois, belonging to the Sisters of Mercy of the Order of the
Notre Dame 11, rue La Chaise, District 7, Paris), in compliance with
the requests from the Former Schoolgirls of Couvent des Oiseaux ,
Dalat, talked about “The diversity in Vietnamese music tradition”
Feb. 19th 2003
Met,
discussed and took decision with some concerned friends about urgent
whats-to-do for “The experimental and training camp for Vietnamese
teachers” with the purpose of bringing the Vietnamese traditional
music into the musical education programme in primary schools.
Feb. 20th
2003
At the
residence, answered the interview by RFI Station( for Vietnamese
audience) concerning “ What assistance did Paris give you in your
study and research on Vietnamese traditional music ,and your
programme of teaching and popularizing it, as well as Asian
traditional music throughout the world?”. This interview was broadcast
at 4.30 p.m.on the next day, on MW frequency 738, RFI.
From
20:30 to 22:30 on the same day at "Theatre de la Ville Les Abbesses,"
one of Paris’s biggest theatres, attended Miss Maria Kiran’s ptrmiere
recital on South Indian Bharatanatyam dance. Maria Kiran, an orphan,
born in India, received in her house by Sister Theresa, adopted by
Milena Salvini and her husband, trained in France first , then in
India, is allowed by her Masters to present a programme of
Bharatanatyam for the first time as an artist, in France.
Feb. 21st 2003
from 15:30 to 18:30
Received a visit from Miss Alíenor Anisensel, a French girl,
Bachelor of Music Education of the Sorbonne University,actually preparing
a thesis for the “Ethnomusicology” Master’s degree,at the Nanterre
University. She expects to receive some advices for her intended
study: “Vietnamese Ca tru”
Feb. 22nd 2003
At Dr.
Minh Thanh’s house in Suresnes, attended the “Tet celebration” night
party where “Poetry and music” were presented by Ngan Ha on the dan
tranh; Kim Chinh, a vocalist, and Prof. Tran Van Khe who chanted a
few poems with an accomanoment on the dan tranh by himself.
Feb. 25th
2003
At The
House of World Cultures attended a recital of “ Tembang Sunda" by Ida
Widawati and Nina Sukwamati from Sunda (Indonesia )
Feb.26th
2003
At
Prof. Khe’s house, together with Mr. Nguyen Tu Nghia - Chairman of the
Association of The Vietnamese people living in , Mr. Dung - Executive
Board Member of that Association , Head of the “Letters and Arts”
Section, Mr. Tich Ky - Chairman of the Association France-Asia for
mutual assistance, and interchanging “Letters and Arts” between the
Asian and French people, and Mr Tuoi – video recorder, discussed on
the poddibility to invite the Troupe of Traditional Classical Theatre
(Hat boi ) from Binh Dinh (Central Viet Nam ) to come to France in
next Fall, to present the play “Dong Lo Dich” , an adaptation by the
late poet Ung Binh Thuc Gia Thi, of Pierre Corneille 's Le Cid , a
classical French drama play from XVIIth century.
Feb. 28th
2003
At
Pharmacist Tuong Van’s, attended the host’s New Year Celebration party
with some friends and watched the videotape on the“The festival of
folk songs, dances and games held in Saigon”.
At the
professor’s residence, was interviewed by Mr Phan Ngoc, a reporter
for The Voice of America, Little Saigon Radio (California, USA) and
SBS Radio '(Melbourne, Australia) about Vietnam’s traditional music
and performing Arts:
·
The general
features of Vietnam’s music and theatre.
·
The golden age
of Vienamese traditional music
·
The current
situation of the Vietnamese traditional music and theatre in Vietnam.
·
How to protect
Vietnamese traditional music against the invasion of foreign pop
musics into Vietnam.?
At
Japan’s Cultural House on the same day, with Miss Ngan Ha and Mr.
Huynh Van Tuoi, enjoyed the Nihon Buyo, Traditional Dance
performance by a troupe directed by the National Living Treasue ,
Nishikawa Senzo, and composed of 12 dancers 12 musicians and 16
lighting-sound technicians, make-up specialists, wardrobe-masters,
stage supervisers
March 2nd 2003 07:00
(17:00 Australian time)
Was interviewed by Mrs. Phuong Hoang, Australian SBS about his
intention to live permanently in Vietnam for the rest of his life and
to transmit his knowleges in music to the young generations.
March 3rd
2003 10:30
At
Unesco Headquarters, met Mrs. Janet Tchiliguirian, a Canadian, Head of
Non- material Heritage Section , Cutural Heritage Deparment, Mr.
David Stehl, assistant expert working within her group and Mrs. Aikawa
Noriko 's assistant who has accompanied Mrs Aikawa in her trip to
Hue in August last year.
He introduced
his“ training programme for primary school teachers with the purpose
of using traditional music in teaching music education to the pupils
of primary classes.”. They all were interested, Mrs. Tchiliguirian
promised to raise extra funds for the recording, and the editing of a
film about that experiment programme and which could be tested in
Vietnam and may be in other Asian countries.
March 4th
2003 from 10:30 to 12:30
Had an
interview thro_gh telephone, by Mrs. Phuong Hoang, Australian SBS
Radio about Prof. Khe 's way of setting Vietnamese poems set to music.
Although he was not a professional composer, he gave details about
the poem: Gian Nhau (Getting angry with each other) by Nguyen Xuan Huy
which he recited in a new style in 1946; children’s songs with his dan
tranh accompaniment: Chi Chi Chanh Chanh, Nu Na Nu Nong, Danh Gioi
(Game with bamboo sticks and a ball), Rong Ran (Game of Dragon and
Snake), Con Cong Hay MuaeïThe Peacock often dances), Trang Khoe Trang
To Hon Den (The Moon boasts to be more luminous than The Lamp), etc…
, some of Tran Dang Khoa”s poems: O O O, Tieng Ga ( Cock- a doodle do
), Hai Trau (Betel Picking), Khi Me Vang Nha (When Mother Was Out),
Vang Oi (O my dog Vang!!), Hoi Duong (Asking the way); a few poems by
Late Poetess Mong Trung as Doi Cho (Expecting), Mai Rung (Wild Prunus
), Chi Co Mot Lan Thoi (Only Once), Ngu Di Em (Sleep, My darling !);
the poems in a new way of chanting such as The Lu’s Nho Rung (Nostalgy
of the Jungle), Nguyen Van Con’s Nang Nhac (Muse Of Music), Tran Van
Khe’s Tu Thuat (Autobiography)
chanted in the
style of Honolulu music, in 1988; and especially Late Poet Hai
Phuong’s Chieu Tien Dua (An Seeing-Off Evening) chanted in the musical
structure of the Hat Noi ( Ca Tru repertoire) and also of the Hat
Sap ( Hat Cheo) in the Jazz style accompanied by Nguyen Le, a Jazz
guitarist star in France.
March 7th
2003
Attended the reception party for Mr. Kutin, Austrian, International
Director of SOS Villages for orphan children all over the world (432
villages altogether). In Vietnam, there are 11 SOS villages spreading
from North to South most of which were formed and managed by Prof.
Tran Thanh Van and Prof. Kim Ngoc, his wife. Mr. Kutin, who used to
live in Go Vap-Vietnam for 10 years under the former regim, has come
back a few times to Viet nam, and is planning with the 2 to build a
parentless children village for orphan children in Dong Hoi, Tran
Thanh Van’s native province within the next 2 years.
News written
by Pham Thuy Hoan Translated by Tan Tai